Sami Munir Hallaq is Syrian writer from Aleppo, Syria. He holds a BSc. in mechanical engineering and a BA in Philosophy and Theology, whose father is the Syria writer Munir Hallaq. He took after his father the passion towards literature, writing and narration.

He has a number of works on different topics, and he has translated a few invaluable works into Arabic.

  • Wa Anta Ya Azizi

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    What can we find in the underprivileged fringe outskirts? We find poverty, misery, boredom, tiresome and poor services. However, if we lived in such a place, we could find a positive value hidden in all of this negativity. We might find simple people, transparent souls and a kind of deep and abyssal wisdom, which give life a meaning. The world of underprivileged is a place of joy hidden behind sadness- joy that is disconnected from technology and means of comfort. However, it is generated from inside- from the heart of humanity.

    This book narrates stories from one of those underprivileged places in Homs (Syria), where people are famous for sense of humor. They are social, simple and express their feelings and experiences with simple words, but deep meanings. Therefore, the stories here are theirs, and I retold them with a bit of fantasy and a lot of literature. These stories describe their misery on one hand, and their hopes and optimism on the other. They include useful experiences to all people, no matter which social class they belong to.

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  • Qal Arrawi

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    Stories are obligatory passages to express facts that go beyond words. They are a gate of respect through which man can look at the horizons of the secret and meaning of existence. A gate of respect because stories do not push or try to convince anyone, they rather present an event, and leave to the reader or listener the freedom to understand and decide.

    This book is like a garden of stories, where you can pick fruits, sometimes easily and in others you need to exert some effort. You may find inedible stories, simply because they are colorful flowers, which covers the garden in beauty, so the spectator can enjoy its presence before leaving the place. 

    At the end of each story, a question or a piece of thought is included for thinking and devotion.

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